"Bows and ribbons soaring high, take me to thee, a natural paradise. Child of wonder, child of hope, paint your life on the panels of the sky."
Who is this guy?
My real name is Darren Matthew Binkowski. I was born in San Diego, and it's been where I spent most of my childhood. I loved the beach, the bay, and the many parks we had around town, from Belmont to Balboa. I love learning and creating; the Children's Museum was one of my favorite places growing up, since it was one of the few places where I could do both. When I wasn't out of the house, I would be playing video games. I grew up with a Nintendo DS and 3DS, spending my time playing both new titles and retro games. These games would have a significant effect on my compositional style much later down the line.
At around ten years old, I moved to San Marcos, a suburb forty minutes north of Downtown. Nothing really goes on up here, so I've become a man of many hobbies. I love long-distance cycling, both on and off the trails. I love sailing, flowers, making coffee, listening to vinyl records, and a bunch of other stuff too. If it involves me making something, I probably enjoy doing it.
Let's talk music.
I started arranging when I was eleven. Or something that resembled it anyway. My first foray into music was arranging playable tunes in a phone game called "Magic Piano", starting with Tree of Life: Trunk, a piece from a Nintendo game called Pokemon Super Mystery Dungeon.
The first true score I wrote was called Tsukuyomi, finished just before my thirteenth birthday, followed by Divine Winds and Refur by the end of my middle school years. The 'Middle School Trio' as I would call it was composed in a rudimentary phone app called "Notation Pad", and none of it was really meant to be played.
Some important developments would come in High School when I was introduced to Garageband in a Digital Audio class. I took to music production like a moth to a flame, upgrading to Logic Pro X and venturing into the world of songwriting. I also learned MuseScore around this time, which would lead me down a rabbit hole of composing 'for real'. Rite of the Cormorant, The Dreaming Girl Suite, Loma, Autumn's Passacaglia, and so on; it's all been the result of my never-ending drive to make something better. Writing teaches; once I'm done writing, I'll have already learned so much that it's time to do it again–– just better this time.
What's your Inspiration?
Alright, the Big Ones. Joe Hisaishi, Yumi Matsutoya, Joni Mitchell, Clammbon, Sigur Ros. When it comes to composing, much of what makes it onto the page comes from these five. My style typically involves heavy use of crunchier harmonies that straddle the line between consonance and dissonance; quartals, quintals, and extensions are favorites of my pallet. I love pulling from post-rock ideas in my arrangements–– these tend to manifest in extreme counterpoint, where up to a half dozen lines are pit against eachother to create a storm of sound. I take pride in the intricacies of my works; they are not designed to be unlistenable, but they are certainly not designed to be easily digestible either. I like music that makes me really think about it for a while, so thats what I aim to achieve in my compositions.
In my more Jazz-Pop focused works, I put a lot of thought into timbre. Samples and sound fonts from the games I grew up with make their way into my work one way or another, inspired by the quaint vintage sounds of 90's Yumi Matsutoya and Clammbon. There's always something interesting going on, maybe even something subtle panned hard to one side, but it's there, and it's intentional.
Nausicaa of the Valley of the Wind
The Secret Cave
Haru Yo, Koi
People's Parties
Long Song
Se Lest
Joe Hisaishi
Joe Hisaishi
Yumi Matsutoya
Joni Mitchell
Clammbon
Sigur Ros
Setup
Wind Instruments
Tenor Saxophone
Horn: Kessler Custom Handmade Series (Brushed Matte)
Mouthpiece: Windy City Woodwinds '56' / Selmer Concept
Reeds: Boston Sax Shop 'Black Box' 3.0 / Vandoren 'Blue Box' 2.5
Ligature: A stock one that came with my first Jupiter saxophone... lol
Alto Saxophone
Horn: Kessler Custom Standard Series (Dark Lacquer)
Mouthpiece: Yamaha 5CM
Reeds: Legere Signature 2.5
Ligature: D'addario H
Baritone Saxophone
Horn: Can't afford one ;)
Mouthpiece: Rico Metalite / Eugene Rosseau 6R
Reeds: Legere Signature 3.25
Ligature: Rovner Dark
Clarinet
Horn: Buffet Crampton B10
Mouthpiece: Backun Vocalise
Reeds: Legere French Cut 2.75
Ligature: Rovner Dark
Other Instruments
Akai EWI 5000 Solo
Soprano, Alto, and Tenor Recorders
Keys/Audio Equipment
Keyboards
Thomann SP5600 Workstation Keyboard
Arturia Keystep 32
Yamaha PSR-21
Audio Equipment
Focusrite Scarlett Solo Audio Interface
Blue Bluebird Large Diaphragm Condenser Microphone
Superlux HD681 semi open-back headphones
2021 M1 Macbook Pro
2020 Ipad Air
Software
Apple Logic Pro X
Universal Audio LUNA
Avid Protools Artist
Musescore Studio
Blackmagic DaVinci Resolve
Savage Interactive Procreate
Plug-ins
Virtual Instruments
U-he Podolski
Digital Suburban Dexed
DiscoDSP OBXD
XLN Addictive Keys
Spitfire Audio LABS
Ample Guitar M II Lite
Full Logic Pro Stock Library
MuseSounds Suite
Samplers/Sound Font Players
Plogue Sforzando
Decomposer Sitala
NI Komplete Kontrol (Komplete Start)
Apple QuickSampler
Audio Processors
Audio Damage Roughrider3 Compressor
Izotope Vinyl
Slate Fresh Air
TAL Vocoder 2
TDR Nova
Thomas Mundt Loudmax
Valhalla Space Modulator
Valhalla Supermassive
Waves Abbey Road Mastering Chain
Waves Abbey Road Saturator
Waves Sibilance
Youlean Loudness Meter
Full Logic Pro Stock Plugins